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Lecture and two-day course with Chris Berry from Glasgow, Scotland

Lecture: Friday 17th September 2010
Two-day course: Saturday 18th and Sunday 19th September 2010

Lecture: Stitch by Stitch
Stitches found in early samplers but not just the history of cross stitch
Starting with the earliest European samplers from C14th Coptic Egypt this
lecture will look primarily at the stitches and techniques found on British
samplers up to the eighteenth century. It will cover records of samplers from
contemporary wills and inventories, sources of designs and pattern books, the
earliest English dated sampler, and evidence of how these stitches and
techniques were translated into the costume and furnishings of the sixteenth and
seventeenth centuries. There will be some detailed examination of samplers from
the Embroiderers’ Guild of Great Britain Museum Collection at Hampton Court
Palace, London and the Burrell Collection in Glasgow, Scotland.

Two-day course: Stitch by Stitch
This course is for everybody who loves to stitch, who loves to play with
stitches and is curious about stitches in the past, how they developed, how they
were passed on from embroiderer to embroiderer. It will offer students the
opportunity to try a wide variety of stitches found in sixteenth and seventeenth
century samplers and Chris will provide coloured images from samplers for
students’ use. The aim is to start an illustrated notebook of stitches using
images from historical samplers and embroideries – a sort of sampler in print!
Chris will cover coloured silkwork techniques using flat to raised detached
buttonhole stitches, the various techniques associated with the term blackwork
and some whitework techniques.
Chris Berry has a passion for Tudor and Stuart embroidery, has wonderful macro
photographs and loves to pass on her skills to others. She currently works at
the Burrell Collection in Glasgow, cataloguing, researching and photographing
the embroidery. A practising contemporary embroiderer, Chris is competent in a
wide variety of embroidery techniques which she taught for twenty years as a
City & Guilds Creative Studies tutor. She also teaches courses based on
historical embroidery throughout the UK and in the USA and Canada at national
embroidery seminars and researches and writes on historical embroidery.
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